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  • AGUILAR, Andrea: Young and creative blood floods the Slaughterhouse. THE COUNTRY. Madri.pag.35. Sunday 8 July 2007
  • AGUIRRE, José Ignacio: “When the commissioner is the star.”
  • AMER, Biel: “The Total Artist” BELLVER cultural supplement of the Diario de Mallorca.
  • AMER, Biel: “The Enigma of the Hermetic Worker’s Face”, Diario de Mallorca. 16-10-2016
  • ALCAL, Angel M: “Thewelcome III, or Fantasy as Personality” THE CONTEMPORARY MACHINE. Otoño 2009. Nº 13
  • ALONSO MOLINA, Oscar: “Rehearsals for a great work”.
  • ALONSO MOLINA, Oscar: “Contemporary Spanish art”.
  • ALONSO, MOLINA, Oscar: «Lights, Camera, Action!. [Hasta donde nos lleve el orden del relato] ».
  • ALONSO MOLINA, Oscar: “The Great Lie of Art” Catalogue of the XXX Anniversary of the Fúcares Gallery.
  • ALONSO MOLINA, Oscar: “Good morning, sadness” ABCD arts and lyrics.
  • ALONSO MOLINA, Oscar: “Some provisional endings for this new story by José Luís Serzo”. Catalogue «FAMILASIA, THE ISLAND OF VIRTUOSOS» Ed.
  • ALONSO MOLINA, Oscar: «A story, which is a tale, told to two voices, conversations between J.L.S and O.A.M.» Catalogue “THE DREAMS OF I MING, THE LITTLE YELLOW”. 2008
  • ALONSO MOLINA, Oscar: “Alchemy Manchega”. January 23, 2010 – issue: 933
  • A.r..: “Serzo installs his wonder cabinet with TheWelcome III in Aleph.”
  • ARENAS, Carlos / PEDRAZA, Pilar: “Fantastic image”. 2014.
  • ARGELLES, J.L: “I slip quite a bit, really, when they say I’m too literary an artist.” THE NEW SPAIN. 14-9-18
  • BALBONA, Guillermo: “Cape Major lights up art again.” February 2019
  • BALBONA, Guillermo: “Serzo’s creation rehearses in the Palace the drawing of a better world.”
  • BALBONA, Guillermo: “Serzo’s characters and his “island of the virtuosos are on Siboney”.
  • BARRO, David: “Contemporary Spanish art”. 2013
  • BARRO, David: “Before you go. 40 ideas about painting.” 2013
  • BONET. Juan Manuel: Juan Manuel: “The great theater of Jose Luis Serzo.” Cat ARCHIMÉTRICA. Ed DARDO and CAB. Cat ARCHIMËTRICA. Ed DARDO y CAB. 2020
  • BONET. Juan Manuel: Juan Manuel: “The forms of the soul.” Instituto Cervantes Publishing House. Ed. Cervantes Institute. Madrid*. 2017
  • BONET. Juan Manuel: Juan Manuel: Cantabria in a hundred pieces. Catálogo “Cántabros en la Colección Norte” 2011
  • BOZAL, Valerian: “History of painting and sculpture in the twentieth century in Spain”. Machado Libros.
  • BRAVO, Eduardo: “José Luis Serzo, Good artist, good person”. Magazine VISUAL. Nº 158. Año XXIV
  • CABALLERO, Manuel: “An Oriental Story” Newspaper El DIARIO DE CADIZ. July 2008
  • CALBARRO, Juan Luis: ” Joan Mateo, mason and alchemist” EL MUNDO. 03 October 2016
  • CAORSI, Laura: “Art in the Air”, Friday of Evasion, NEWSPAPER TRUTH.
  • CARPIO, Francisco: “Other worlds, other lives.” No. 1165. 13 December 2014
  • CASTRO, Eugenio: “Post-Show” Art Portal: UBICARTE.COM October 2003
  • CASTRO, Eugene: “Gifts of the Weather: (Objectual) Policies of Elementality”.
  • CASTRO FLREZ, Fernando: «The gifts and stories of the magical [Consideraciones sobre la expansión pictórica de José Luis Serzo] imagination.». JOSÉ LUIS SERZO. 2010
  • CASTRO FLREZ, Fernando: “Magic for a de-enenchanted world, an approach to the fantastic dreams of José Luis Serzo”.
  • CEBRION, Celín: “The skilful separation between the beautiful and the sinister” Catalogue «POST- SHOW» Ed Museum of Adra 2003
  • CERECEDA, Miguel: “Serzo or when the stretch is revealed”, ABC Cultural, March 5, 2016
  • CERECEDA, Miguel: “The Plot of Painting” Catalogue of the exhibition “Reactions/ Desktop Stories” Ka Gallery 2004
  • CERECEDA, Miguel: “The Emancipation of Fantasy”. ABCD las artes y las letras. N 898, del 18 al 24 abril 2009.
  • CLAR, Asun / JOVER, Carlos: “The image infiltrated in the narrative”. EL MUNDO/ EL DÍA De BALEARES. 15 de mayo de 2006
  • HEART ARDURA, José Luís: “How to write another story, new art from Spain at Balelatina’07”. SUBLIME magazine, art+contemporary culture. May-June 2007.
  • HEART ARDURA, José Luís: “To the search for the other”. www.artecapital.net
  • CRUZ, Almudena. Michael Burton Junior’s trip, THE DAY. The opinion of Tenerife. 20-3-2021
  • D’ALESSANDRO, Sara: “Il mondo di favola di José Luis Serzo alla Marena Rooms Gallery”.
  • DE BLAS, Mariano: “Post-Show” National Art Magazine SUBLIME Sep-Oct 2003
  • DE DIEGO, Star: “Ficciones” Diptych Center for Young Art of the Community of Madrid April 2004
  • FROM THE AMERIGHI TOWER, Ivan: “The Fabant Tailor” ABCD The Arts and Letters. Nº 859. 19 to 25 July 2008
  • FROM THE AMERIGHI TOWER, Ivan: “José Luis Serzo” EXIT EXPRESS.
  • FROM THE SOURCES, Alberto: “Transforming Reality” The moon of METROPOLI, Newspaper EL Mundo.
  • DELGADO MAYORDOMO, Carlos: “TEATRORUM” Catalogue “José Luis Serzo. Scenes and events inside and outside the TEATRORUM”. 2018
  • DELGADO MAYORDOMO, Carlos: “Creations of José Luis Serzo” National Newspaper THE POINT OF THE ARTS January 2003
  • DELGADO MAYORDOMO, Carlos: “Ignacio Llamas and José Luís Serzo. Creation: an inner journey.”
  • DELGADO MAYORDOMO, Carlos: “José Luis Serzo. The Fabulous expanding.” L’OTROTIPO Magazine.
  • DÍAZ-GUARDIOLA, Javier: “J.L.Serzo: the artist, the musician, the collector and the alter ego, locked in a garage”.
  • DÍAZ-GUARDIOLA, Javier: “I believe in global art.” ABC.es Culture. 5-5 2012
  • ESPINOSA, Pedro: “The Reality and Dreams of a Chinese Child” Newspaper THE COUNTRY.
  • ESTERO, Rachel: “The artist is able to open doors to collective consciousness” Newspaper ON The Day of Albacete.
  • FERNANDEZ RUBIO, Javier: “Art to save the world”.
  • FERNANDEZ, Thomas: “The Comet Man at the Fúcares Gallery” Newspaper LA TRIBUNA CIUDAD REAL September 2004
  • FORMS, Pep: “Post-Show” Newspaper EL 3VIU de Vilafranca del Penedés, Barcelona April 2003
  • GARCIA, Maria: “Artists are eternal nonconformist teenagers.”
  • GARCIA BERRIO, Antonio: “Neobarroco and hypermodernity: current Spanish painting in the middle-career”.
  • GARCIA BERRIO, Antonio: “PARÁFRASIS. La recepción del El Greco en el neobarroco actual”. Consejería de Educación, Cultura y Deportes de Castilla la Mancha. 2014
  • GEA, Juan Carlos:“ Serzo: el lugar de la interpretación” ELCUADERNODIGITAL.COM, 09 abril 2018
  • GUITIÉRREZ, M. José: “Serzo Space, small synthesis of a museum, an art center, a gallery”. Journal of Castile. 21-1-20
  • HONTORIA, Javier: “Behind the track of Thewelcome” The CULTURAL, Newspaper El Mundo.
  • IBAEZ, Andrew: “Platero without prejudice”. 1125.
  • JEREZ, José: “Myth and symbology within art.”
  • J.Á.M.: “The most current surrealism arrives in the DA2 with the work of José Luis Serzo”, La Gaceta, Año XCVI, nº 31.052, Salamanca
  • LEBOEUF, Frédéric: “Jose Luis Serzo at the dream factory”.
  • LOARCE, José Luis: “José Luis Serzo” THE CULTURAL. 25-11-2004
  • LOPEZ AROCA, Alberto: “Anecdote” Diptych Exhibition Casas Ibáñez 2001
  • LOPEZ AROCA, Alberto: «An average idiot of today» Diptych Installation «L.I.F.D.M.U.P.S.» DEARTE Spanish Galleries Fair in Palacio de Congresos, Madrid, 2003
  • LOPEZ AROCA, Alberto: – “The horror of the show” GALERIA SICART April 2003
  • LOPEZ, A.J.: “Serzo looks for the bright side to life in the JM gallery.” EL SUR, el periódico de Málaga. Domingo 5- 4 -2009
  • LLAVINA, Jordi: «Friederich & Aznar» National Newspaper LA VANGUARDIA 2003
  • LLAVINA, Jordi: “Serzo, among his friends-characters” Documentary. CULTURAS, LA VANGUARDIA. Miércoles, 10/01/2007
  • LLAVINA, Jordi: “Serzo, the chemistry of chimera”. Vilafranca contemporánea. Sicart Gallery. Villafranca del Penedés. Catálogo.206
  • MAÑAS, José Eugenio: “Between the real and the imagined, conversation with José Luis Serzo”.
  • MARCO, Dani: “Hook up, interview José Luis Serzo” MAGAZINE PALANCA DE CHANGE No. 12.
  • MAR, Pere: «José Luís Serzo takes off in the Ferran Cano with the optimistic message of «The fantastic flight…”» DAILY OF MALLORCA.
  • MARS, Felix: “The marvelous art of J.L.Serzo. The truth behind magic”.
  • MARTIN JIMONEZ, Javier: “The Fantastic Flight of the Comet Man” SUBLIME Magazine April-May 2004
  • MARTINEZ, Emilio. “José Luis Serzo decides to stop residing in Madrid”. THE GRANDSTAND. Sunday, April 4, 2021
  • MATEO CHARRIS, Angel: “Welcome”. JOSÉ LUIS SERZO. 2010
  • MENDEZ, Naomi: “José Luis Serzo”. 2009
  • MENDEZ, Naomi: “Sekhmet’s Fury and Healing for Michael Burton Junior.”, in the catalogue “Morphology of the Encounter.”. Edited by Noca Paper and Dardo.UNED. 2019
  • MENDEZ, Naomi: “José Luis Serzo is THEWELCOME. Catalogue “José Luis Serzo. Amazing Stories THEWELCOME”. 2013
  • MENDEZ, Naomi: “The origin of (your) world, or how Serzo opens the curtain. Catalogue “José Luis Serzo. Scenes and events inside and outside the TEATRORUM”. 2018
  • MERAYO, Paché:“Serzo or the art that tells or “that serves”” THE TRADE 10 March 2018
  • MERAYO, Paché: “From art, theatre, cinema, life” TRADE. 7 April 2018
  • MERAYO, Paché: “Serzo, or the art that narrates and “serves”” TRADE. 10 March 2018
  • MOLINS, Javier: “Beasts”.
  • MONTEVERDE, July: «Bombilla Salad» Art Portal: UBICARTE.COM September 2004
  • MUNERA, Javier: “Arco and ArtMadrid 2009”.
  • OLMEDO, Rachel: «The catwalk-José Luis Serzo, » THE WORLD, Malaga.
  • ORDOEZ, Antonio: “Serzo claims humanism as resistance personally and artisticly” ideal. 24-10-19
  • ORTIZ, Karín: “I am proposing instead of criticizing”- THE TRIBUNA de Albacete.
  • OTERO, Fatima: “José Luis Serzo and his original Archametric the Fabulous”. The Galician Mail. 4, April. 2021
  • PANERA, Javier: “The Dream of the King (of the Republic)”.
  • PASCUAL CASTILLO, Omar: “Prologue for a welcome (or some verbal skirmishes about José Luis Serzo)”. JOSÉ LUIS SERZO. 2010
  • PAREDES, Thomas: » I Ming dreams”.
  • PARR, José María: “THE STARTED: The Symbols of an Airtight Worker.”, Barjola Museum. 2018.
  • PEREZ, Alejandro: “Paliqueentrevista”.
  • PETRE, Lorraine: “Reality Resolved in the Enigma of Sleep”. LAMONO Magazine az-97 The Faller.
  • PÍ, Manuel: “Anecdotario” Provincial Newspaper LA TRIBUNA DE ALBACETE August 2001
  • PRINS, Arturo: “In Search of the Last Show” Text presentation of the exhibition “Post-Show” at Galería Blanca Soto, Madrid, September 2004
  • QUIJANO, Carmen: “Teatrorum”. 2017
  • REPLINGER, Mercedes: “Interrogating the painting. Presence of painting in contemporary art» ARCO- contemporary art.
  • RIVERA, Víctor:“Jose Luis Serzo makes his debut in Asturias with his “Morphology of Encounter” ” LA NUEVA ESPAÑA, 10 MARCH 2018
  • RODES, Andrea: “Flying is a matter of equipment” ART.ES.
  • RODRIGUEZ, Andrew: “The artist and the model”.
  • RODRIGUEZ, Gabriel: “Living in a Dream” ABCD arts and lyrics.
  • RODRIGUEZ, Gabriel: “One of pirates”. 14-5-2011
  • RUBIO NOMBLOT, Javier: “Art as Tremulous Light” ABC National Newspaper, White and BLACK Cultural Supplement July 2004
  • R.R.: “AGENDA. EXPOSURE The Lords of the Forest”.
  • RUBIO NOMBLOT, Javier: » The Wings of Art» Art Portal UBICARTE.COM April 2004
  • RUBIO NOMBLOT, Javier: “The Transit to the Abyss” Catalogue by José Luis Serzo “POST SHOW” MUSEO DE ADRA, Almería, 2003
  • RUBIO NOMBLOT, Javier: “The Next Show” National Art Newspaper THE POINT OF THE ARTS September 2003
  • RUEDA, Juan Francisco: “Narration and Performance. Newspaper the SOUTH. 24,3,2013
  • RUEZ DE SAMANIEGO, Alberto: “José Luis Serzo”.
  • SÁENZ OLLER, Fernando: “Talented people”.
  • SAMANIEGO, José A.:“Serzo: an artist who tells stories” LA NUEVA ESPAÑA, 10 April 2018
  • SANCHEZ, Mercedes: “Please answer: José Luis SERZO” Provincial Newspaper THE TRUTH OF ALBACETE August 2004
  • TORÍO, Marcos: “José Luís Serzo blows up the comet man in the Ferran Cano” Newspaper El MUNDO, The Day of the Balearic Islands. 21 abril 2006
  • TORRES, Paloma: “Three storms and several Grecos”, ABC Cultural, no. 1159 of November 1, 2014.
  • TOSTE, Santiago: “How Michael Burton Jr. wanted to change his life.” Journal of Notices. 22-3-2021 https://diariodeavisos
  • ULPIANO, Rosa: “José Luis Serzo. In the Garlic.” LEVANTE Newspaper. June 27, 2014
  • VILA, Fatima: “We should lose the fear of flying with our minds, to imagine a better world” Interview.
  • VON TOUCEDA, Mary: “Serzo or how the goal is the way.”, in the catalog “Morphology of the encounter.” Editado por Noca Paper y Dardo. UNED. 2019