{"id":14713,"date":"2020-06-10T08:37:42","date_gmt":"2020-06-10T07:37:42","guid":{"rendered":"http:\/\/www.joseluisserzo.com\/bibliography\/"},"modified":"2022-04-06T10:27:14","modified_gmt":"2022-04-06T09:27:14","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.joseluisserzo.com\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"14713\" class=\"elementor elementor-14713 elementor-5009\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bb0198a elementor-section-stretched elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"bb0198a\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-83faec1 sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"83faec1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5c53348 animation_type_block sc_fly_static elementor-widget elementor-widget-image\" data-id=\"5c53348\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1920\" height=\"715\" src=\"https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio.jpg\" class=\"attachment-full size-full wp-image-14489\" alt=\"\" srcset=\"https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio.jpg 1920w, https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio-300x112.jpg 300w, https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio-1024x381.jpg 1024w, https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio-768x286.jpg 768w, https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio-1536x572.jpg 1536w, https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio-370x138.jpg 370w, https:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2020\/06\/Header-Bio-Biblio-770x287.jpg 770w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-085787c sc_fly_bc sc_layouts_hide_on_mobile sc_layouts_hide_on_tablet animation_type_block elementor-widget elementor-widget-text-editor\" data-id=\"085787c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><a href=\"http:\/\/www.joseluisserzo.com\/en\/biography\/\"><span style=\"color: #ebe9cf;\">BIOGRAF\u00cdA<\/span><\/a> <a href=\"http:\/\/www.joseluisserzo.com\/en\/curriculum-vitae\/\"><span style=\"color: #ebe9cf;\">CURR\u00cdCULUM<\/span><\/a> <a href=\"http:\/\/www.joseluisserzo.com\/en\/bibliography\/\"><span style=\"color: #0fbcae; text-decoration: underline;\">BIBLIOGRAF\u00cdA<\/span><\/a> <a href=\"http:\/\/www.joseluisserzo.com\/en\/monografic-catalog\/\"><span style=\"color: #ebe9cf;\">CAT\u00c1LOGO MONOGR\u00c1FICO<\/span><\/a> <a href=\"http:\/\/www.joseluisserzo.com\/en\/press\/\"><span style=\"color: #ebe9cf;\">PRENSA<\/span><\/a> <a href=\"http:\/\/www.joseluisserzo.com\/en\/text-others\/\"><span style=\"color: #ebe9cf;\">TEXTO Y OTROS<\/span><\/a><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ac3f375 sc_fly_mc animation_type_block elementor-widget elementor-widget-text-editor\" data-id=\"ac3f375\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Bibliography<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6eb2cef elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6eb2cef\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bb58c36 sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"bb58c36\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-32476c3 animation_type_block sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"32476c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-941066b animation_type_block sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"941066b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>BIBLIOGRAPHY<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-aff6081 sc_layouts_hide_on_wide sc_layouts_hide_on_desktop sc_layouts_hide_on_notebook sc_layouts_hide_on_tablet animation_type_block sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"aff6081\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c0129df elementor-align-right sc_fly_mr elementor-mobile-align-left animation_type_block elementor-widget elementor-widget-button\" data-id=\"c0129df\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"http:\/\/www.joseluisserzo.com\/wp-content\/uploads\/2022\/04\/EN-Bibliografia-JLSerzo-2022.pdf\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">DOWNLOAD BIBLIOGRAPHY<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-de20a11 animation_type_block sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"de20a11\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-efc1960 elementor-widget-divider--view-line animation_type_block sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"efc1960\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5690f77 animation_type_block sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"5690f77\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-839ad0a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"839ad0a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c5d423f sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"c5d423f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a3c5bc9 animation_type_block sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"a3c5bc9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>AGUILAR, Andrea<\/b><span style=\"font-weight: 400;\">: Young and creative blood floods the Slaughterhouse. THE COUNTRY. Madri.pag.35. Sunday 8 July 2007<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>AGUIRRE, Jos\u00e9 Ignacio:  <\/b><span style=\"font-weight: 400;\">&#8220;When the commissioner is the star.&#8221; <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>AMER, Biel:<\/b><span style=\"font-weight: 400;\">  &#8220;The Total Artist&#8221; BELLVER cultural supplement of the Diario de Mallorca. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>AMER, Biel:<\/b><span style=\"font-weight: 400;\"> &#8220;The Enigma of the Hermetic Worker&#8217;s Face&#8221;, Diario de Mallorca. 16-10-2016<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALCAL, Angel M:<\/b><span style=\"font-weight: 400;\">  &#8220;Thewelcome III, or Fantasy as Personality&#8221; THE CONTEMPORARY MACHINE. Oto\u00f1o 2009. N\u00ba 13<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:  <\/b><span style=\"font-weight: 400;\">&#8220;Rehearsals for a great work&#8221;. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:  <\/b><span style=\"font-weight: 400;\">&#8220;Contemporary Spanish art&#8221;. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO, MOLINA, Oscar:<\/b><span style=\"font-weight: 400;\">  \u00abLights, Camera, Action!. [Hasta donde nos lleve el orden del relato] \u00bb. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:<\/b><span style=\"font-weight: 400;\">  &#8220;The Great Lie of Art&#8221; Catalogue of the XXX Anniversary of the F\u00facares Gallery.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:<\/b><span style=\"font-weight: 400;\">  &#8220;Good morning, sadness&#8221; ABCD arts and lyrics. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:<\/b><span style=\"font-weight: 400;\">  &#8220;Some provisional endings for this new story by Jos\u00e9 Lu\u00eds Serzo&#8221;. Catalogue \u00abFAMILASIA, THE ISLAND OF VIRTUOSOS\u00bb Ed. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:  <\/b><span style=\"font-weight: 400;\">\u00abA story, which is a tale, told to two voices, conversations between J.L.S and O.A.M.\u00bb Catalogue &#8220;THE DREAMS OF I MING, THE LITTLE YELLOW&#8221;.   2008<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ALONSO MOLINA, Oscar:<\/b><span style=\"font-weight: 400;\">  &#8220;Alchemy Manchega&#8221;.  January 23, 2010 &#8211; issue: 933<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>A.r..:<\/b><span style=\"font-weight: 400;\">  &#8220;Serzo installs his wonder cabinet with TheWelcome III in Aleph.&#8221;    <\/span><\/li>\n<li aria-level=\"1\"><strong>ARABUENA, Fernando.<\/strong>  &#8220;Interview with visual artist Jos\u00e9 Luis Serzo&#8221;. www.cineyliteratura.cl. 17 MAY, 2021<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ARENAS, Carlos \/ PEDRAZA, Pilar:<\/b><span style=\"font-weight: 400;\">  &#8220;Fantastic image&#8221;.  2014.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ARGELLES, J.L:<\/b><span style=\"font-weight: 400;\">  &#8220;I slip quite a bit, really, when they say I&#8217;m too literary an artist.&#8221; THE NEW SPAIN. 14-9-18<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BALBONA, Guillermo:<\/b><span style=\"font-weight: 400;\">  &#8220;Cape Major lights up art again.&#8221;  February 2019<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BALBONA, Guillermo:  <\/b><span style=\"font-weight: 400;\">&#8220;Serzo&#8217;s creation rehearses in the Palace the drawing of a better world.&#8221;  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BALBONA, Guillermo:  <\/b><span style=\"font-weight: 400;\">&#8220;Serzo&#8217;s characters and his &#8220;island of the virtuosos are on Siboney&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BARRO, David:<\/b><span style=\"font-weight: 400;\">  &#8220;Contemporary Spanish art&#8221;. Ed.  2013<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BARRO, David:  <\/b><span style=\"font-weight: 400;\">&#8220;Before you go. 40 ideas about painting.&#8221; Ed.  2013<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BONET. Juan Manuel: Juan Manuel: <\/b><span style=\"font-weight: 400;\">&#8220;The great theater of Jose Luis Serzo.&#8221; Cat ARCHIM\u00c9TRICA. Ed DARDO and CAB. Cat ARCHIM\u00cbTRICA. Ed DARDO y CAB. 2020<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BONET. Juan Manuel: Juan Manuel: <\/b><span style=\"font-weight: 400;\">&#8220;The forms of the soul.&#8221; Instituto Cervantes Publishing House. Ed. Cervantes Institute. Madrid*. 2017<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BONET. Juan Manuel: Juan Manuel: <\/b><span style=\"font-weight: 400;\">Cantabria in a hundred pieces. Cat\u00e1logo \u201cC\u00e1ntabros en la Colecci\u00f3n Norte\u201d 2011<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BOZAL, Valerian:<\/b><span style=\"font-weight: 400;\"> &#8220;History of painting and sculpture in the twentieth century in Spain&#8221;. Machado Libros.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>BRAVO, Eduardo:<\/b><span style=\"font-weight: 400;\"> &#8220;Jos\u00e9 Luis Serzo, Good artist, good person&#8221;. Magazine VISUAL. N\u00ba 158. A\u00f1o XXIV<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CABALLERO, Manuel:  <\/b><span style=\"font-weight: 400;\">&#8220;An Oriental Story&#8221; Newspaper El DIARIO DE CADIZ. July 2008<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CALBARRO, Juan Luis:  <\/b><span style=\"font-weight: 400;\">&#8221; Joan Mateo, mason and alchemist&#8221; EL MUNDO. 03 October 2016<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CAORSI, Laura:  <\/b><span style=\"font-weight: 400;\">&#8220;Art in the Air&#8221;, Friday of Evasion, NEWSPAPER TRUTH. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CARPIO, Francisco:<\/b><span style=\"font-weight: 400;\">  &#8220;Other worlds, other lives.&#8221;   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CASTRO, Eugenio: <\/b> <span style=\"font-weight: 400;\">&#8220;Post-Show&#8221; Art Portal: UBICARTE.COM October 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CASTRO, Eugene:<\/b><span style=\"font-weight: 400;\">  &#8220;Gifts of the Weather: (Objectual) Policies of Elementality&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CASTRO FLREZ, Fernando:  <\/b><span style=\"font-weight: 400;\">\u00abThe gifts and stories of the magical [Consideraciones sobre la expansi\u00f3n pict\u00f3rica de Jos\u00e9 Luis Serzo] imagination.\u00bb.  JOS\u00c9 LUIS SERZO.  2010<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CASTRO FLREZ, Fernando:<\/b><span style=\"font-weight: 400;\">  &#8220;Magic for a de-enenchanted world, an approach to the fantastic dreams of Jos\u00e9 Luis Serzo&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CEBRION, Cel\u00edn:<\/b> <span style=\"font-weight: 400;\"> &#8220;The skilful separation between the beautiful and the sinister&#8221; Catalogue \u00abPOST- SHOW\u00bb Ed Museum of Adra 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CERECEDA, Miguel:<\/b> <span style=\"font-weight: 400;\"> &#8220;Serzo or when the stretch is revealed&#8221;, ABC Cultural, March 5, 2016<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CERECEDA, Miguel: <\/b> <span style=\"font-weight: 400;\">&#8220;The Plot of Painting&#8221; Catalogue of the exhibition &#8220;Reactions\/ Desktop Stories&#8221; Ka Gallery 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CERECEDA, Miguel:<\/b><span style=\"font-weight: 400;\"> &#8220;The Emancipation of Fantasy&#8221;. ABCD las artes y las letras. N 898, del 18 al 24 abril 2009.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CLAR, Asun \/ JOVER, Carlos:<\/b><span style=\"font-weight: 400;\"> &#8220;The image infiltrated in the narrative&#8221;. EL MUNDO\/ EL D\u00cdA De BALEARES. 15 de mayo de 2006<\/span><\/li>\n<li><strong>COLORADO, Modesto<\/strong>. &#8220;The Albacete artist Serzo jumps to the cinema&#8221;.www.eldigitaldealbacete.com<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>HEART ARDURA, Jos\u00e9 Lu\u00eds<\/b><span style=\"font-weight: 400;\">: &#8220;How to write another story, new art from Spain at Balelatina &#8217;07&#8221;. SUBLIME magazine, contemporary art + culture. May-June 2007.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>HEART ARDURA, Jos\u00e9 Lu\u00eds:<\/b> <span style=\"font-weight: 400;\"> &#8220;To the search for the other&#8221;.<\/span> <a href=\"http:\/\/www.artecapital.net\"><span style=\"font-weight: 400;\">www.artecapital.net<\/span><\/a><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>CRUZ, Almudena<\/b><span style=\"font-weight: 400;\">. &#8220;The Journey of Michael Burton Junior&#8221;. THE DAY. The opinion of Tenerife. 20-3-2021<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>D&#8217;ALESSANDRO, Sara:<\/b><span style=\"font-weight: 400;\"> &#8220;Il mondo di favola di Jos\u00e9 Luis Serzo alla Marena Rooms Gallery&#8221;. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DE BLAS, Mariano: <\/b> <span style=\"font-weight: 400;\">&#8220;Post-Show&#8221; National Art Magazine SUBLIME Sep-Oct 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DE DIEGO, Star:<\/b> <span style=\"font-weight: 400;\"> &#8220;Ficciones&#8221; Diptych Center for Young Art of the Community of Madrid April 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>FROM THE AMERIGHI TOWER, Ivan:<\/b><span style=\"font-weight: 400;\">  &#8220;The Fabant Tailor&#8221; ABCD The Arts and Letters. N\u00ba 859. 19 to 25 July 2008<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>FROM THE AMERIGHI TOWER, Ivan:<\/b><span style=\"font-weight: 400;\">  &#8220;Jos\u00e9 Luis Serzo&#8221; EXIT EXPRESS.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>FROM THE SOURCES, Alberto:<\/b><span style=\"font-weight: 400;\">  &#8220;Transforming Reality&#8221; The moon of METROPOLI, Newspaper EL Mundo. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DELGADO MAYORDOMO, Carlos:<\/b><span style=\"font-weight: 400;\">  &#8220;TEATRORUM&#8221; Catalogue &#8220;Jos\u00e9 Luis Serzo. Scenes and events inside and outside the TEATRORUM&#8221;.  2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DELGADO MAYORDOMO, Carlos:<\/b> <span style=\"font-weight: 400;\"> &#8220;Creations of Jos\u00e9 Luis Serzo&#8221; National Newspaper THE POINT OF THE ARTS January 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DELGADO MAYORDOMO, Carlos:<\/b><span style=\"font-weight: 400;\">  &#8220;Ignacio Llamas and Jos\u00e9 Lu\u00eds Serzo. Creation: an inner journey.&#8221;  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>DELGADO MAYORDOMO, Carlos<\/b><span style=\"font-weight: 400;\">: &#8220;Jos\u00e9 Luis Serzo. The Fabulous expanding.&#8221; L&#8217;OTROTIPO Magazine. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>D\u00cdAZ-GUARDIOLA, Javier: <\/b><span style=\"font-weight: 400;\">&#8220;J.L.Serzo: the artist, the musician, the collector and the alter ego, locked in a garage&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>D\u00cdAZ-GUARDIOLA, Javier: <\/b><span style=\"font-weight: 400;\">&#8220;I believe in global art.&#8221; ABC.es Culture.  5-5 2012<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ESPINOSA, Pedro:<\/b><span style=\"font-weight: 400;\">  &#8220;The Reality and Dreams of a Chinese Child&#8221; Newspaper THE COUNTRY. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ESTERO, Rachel:<\/b><span style=\"font-weight: 400;\">  &#8220;The artist is able to open doors to collective consciousness&#8221; Newspaper ON The Day of Albacete. <\/span><\/li>\n<li aria-level=\"1\"><strong>ESTRADA, Javier:<\/strong> &#8220;Jos\u00e9 Luis Serzo exhibits a brilliant dialogue with his shadows in the \u00c1lvaro Alc\u00e1zar gallery&#8221;. revistaplacet.es. March 24, 2022<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>FERNANDEZ RUBIO, Javier:<\/b><span style=\"font-weight: 400;\">  &#8220;Art to save the world&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>FERNANDEZ, Thomas: <\/b> <span style=\"font-weight: 400;\">&#8220;The Comet Man at the F\u00facares Gallery&#8221; Newspaper LA TRIBUNA CIUDAD REAL September 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>FORMS, Pep:<\/b> <span style=\"font-weight: 400;\"> &#8220;Post-Show&#8221; Newspaper EL 3VIU de Vilafranca del Pened\u00e9s, Barcelona April 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>GARCIA, Maria:  <\/b><span style=\"font-weight: 400;\">&#8220;Artists are eternal nonconformist teenagers.&#8221;   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>GARCIA BERRIO, Antonio:  <\/b><span style=\"font-weight: 400;\">&#8220;Neobarroco and hypermodernity: current Spanish painting in the middle-career&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>GARCIA BERRIO, Antonio:  <\/b><span style=\"font-weight: 400;\">&#8220;PARAPHRASE. The reception of El Greco in the current neo-baroque&#8221;.  2014<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>GEA, Juan Carlos:<\/b><span style=\"font-weight: 400;\">\u201c Serzo: el lugar de la interpretaci\u00f3n\u201d ELCUADERNODIGITAL.COM, 09 abril 2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>GUITI\u00c9RREZ, M. Jos\u00e9:  <\/b><span style=\"font-weight: 400;\">&#8220;Serzo Space, small synthesis of a museum, an art center, a gallery&#8221;. Journal of Castile. 21-1-20<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>HONTORIA, Javier<\/b><span style=\"font-weight: 400;\">: &#8220;Behind the track of Thewelcome&#8221; The CULTURAL, Newspaper El Mundo. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>IBAEZ, Andrew:  <\/b><span style=\"font-weight: 400;\">&#8220;Platero without prejudice&#8221;.   1125. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>JEREZ, Jos\u00e9:<\/b><span style=\"font-weight: 400;\">  &#8220;Myth and symbology within art.&#8221;   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>J.\u00c1.M.:<\/b> <span style=\"font-weight: 400;\">&#8220;The most current surrealism arrives in the DA2 with the work of Jos\u00e9 Luis Serzo&#8221;, La Gaceta, A\u00f1o XCVI, n\u00ba 31.052, Salamanca<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LEBOEUF, Fr\u00e9d\u00e9ric:  <\/b><span style=\"font-weight: 400;\">&#8220;Jose Luis Serzo at the dream factory&#8221;.   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LOARCE, Jos\u00e9 Luis:  <\/b><span style=\"font-weight: 400;\">&#8220;Jos\u00e9 Luis Serzo&#8221; THE CULTURAL.  25-11-2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LOPEZ AROCA, Alberto: <\/b> <span style=\"font-weight: 400;\">&#8220;Anecdote&#8221; Diptych Exhibition Casas Ib\u00e1\u00f1ez 2001<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LOPEZ AROCA, Alberto:<\/b> <span style=\"font-weight: 400;\"> \u00abAn average idiot of today\u00bb Diptych Installation \u00abL.I.F.D.M.U.P.S.\u00bb DEARTE Spanish Galleries Fair in Palacio de Congresos, Madrid, 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LOPEZ AROCA, Alberto: <\/b> <span style=\"font-weight: 400;\">\u2013 &#8220;The horror of the show&#8221; GALERIA SICART April 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LOPEZ, A.J.:<\/b><span style=\"font-weight: 400;\"> &#8220;Serzo looks for the bright side to life in the JM gallery.&#8221; EL SUR, el peri\u00f3dico de M\u00e1laga. Domingo 5- 4 -2009<\/span><\/li>\n<li aria-level=\"1\"><strong>L\u00d3PEZ BORREGO, Rafael.<\/strong>  &#8220;Ghosts, melancholy and image production in JLSerzo&#8217;s work&#8221;. Book THE INSTINCTS OF THE MASS. ISBN 9798713728816<\/li>\n<li aria-level=\"1\"><strong>LOZANO JIMENEZ, Hannibal.<\/strong>  &#8220;The germinal drawings of Jos\u00e9 Luis Serzo&#8221; Catalogue exhibition LA SALINA. Ed Diputaci\u00f3n de Salamanca. 2021<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LLAVINA, Jordi:<\/b> <span style=\"font-weight: 400;\"> \u00abFriederich &amp; Aznar\u00bb National Newspaper LA VANGUARDIA 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LLAVINA, Jordi: <\/b><span style=\"font-weight: 400;\">&#8220;Serzo, among his friends-characters&#8221; Documentary. CULTURAS, LA VANGUARDIA. Mi\u00e9rcoles, 10\/01\/2007<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>LLAVINA, Jordi:<\/b><span style=\"font-weight: 400;\"> &#8220;Serzo, the chemistry of chimera&#8221;. Vilafranca contempor\u00e1nea. Sicart Gallery. Villafranca del Pened\u00e9s. Cat\u00e1logo.206<\/span><\/li>\n<li aria-level=\"1\"><strong>MANTEC\u00d3N, Marta.<\/strong>  &#8220;Notes for a great work of art&#8221; PAPERWORK. Drawing Room Notebooks.N\u00ba5 HIGHLIGHTS. 2021<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MA\u00d1AS, Jos\u00e9 Eugenio:<\/b><span style=\"font-weight: 400;\">  &#8220;Between the real and the imagined, conversation with Jos\u00e9 Luis Serzo&#8221;.   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MARCO, Dani:  <\/b><span style=\"font-weight: 400;\">&#8220;Hook up, interview Jos\u00e9 Luis Serzo&#8221; MAGAZINE PALANCA DE CHANGE No. 12. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MAR, Pere:<\/b><span style=\"font-weight: 400;\">  \u00abJos\u00e9 Lu\u00eds Serzo takes off in the Ferran Cano with the optimistic message of \u00abThe fantastic flight&#8230;&#8221;\u00bb DAILY OF MALLORCA. 21 abril 2006<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MARS, Felix:  <\/b><span style=\"font-weight: 400;\">&#8220;The marvelous art of J.L.Serzo. The truth behind magic&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MART\u00cdN JIM\u00c9NEZ, Javier:<\/b><span style=\"font-weight: 400;\"> \u00abThe Fantastic flight of the Comet Man\u00bb SUBLIME Magazine April-May 2004.<\/span><\/li>\n<li aria-level=\"1\"><strong>MARTINEZ, Emilio.<\/strong>  &#8220;Jos\u00e9 Luis Serzo decides to stop residing in Madrid&#8221;. LA TRIBUNA DE ALBACETE.4 April 2021.<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MATEO CHARRIS, Angel:<\/b><span style=\"font-weight: 400;\">  &#8220;Welcome&#8221;.  JOS\u00c9 LUIS SERZO.  2010<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MENDEZ, Naomi:<\/b><span style=\"font-weight: 400;\">  &#8220;Jos\u00e9 Luis Serzo&#8221;.   2009<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MENDEZ, Naomi:  <\/b><span style=\"font-weight: 400;\">&#8220;Sekhmet&#8217;s Fury and Healing for Michael Burton Junior.&#8221;, in the catalogue &#8220;Morphology of the Encounter.&#8221;. Edited by Noca Paper and Dardo.UNED.  2019<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MENDEZ, Naomi:<\/b><span style=\"font-weight: 400;\">  &#8220;Jos\u00e9 Luis Serzo is THEWELCOME. Catalogue &#8220;Jos\u00e9 Luis Serzo. Amazing Stories THEWELCOME&#8221;.  2013<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MENDEZ, Naomi:  <\/b><span style=\"font-weight: 400;\">&#8220;The origin of (your) world, or how Serzo opens the curtain. Catalogue &#8220;Jos\u00e9 Luis Serzo. Scenes and events inside and outside the TEATRORUM&#8221;.  2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MERAYO, Pach\u00e9:<\/b><span style=\"font-weight: 400;\">&#8220;Serzo or the art that tells or &#8220;that serves&#8221;&#8221; THE TRADE 10 March 2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MERAYO, Pach\u00e9:<\/b><span style=\"font-weight: 400;\">  &#8220;From art, theatre, cinema, life&#8221; TRADE. 7 April 2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MERAYO, Pach\u00e9:<\/b><span style=\"font-weight: 400;\">  &#8220;Serzo, or the art that narrates and &#8220;serves&#8221;&#8221; TRADE. 10 March 2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MOLINS, Javier:  <\/b><span style=\"font-weight: 400;\">&#8220;Beasts&#8221;.   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MONTEVERDE, July: <\/b> <span style=\"font-weight: 400;\">\u00abBombilla Salad\u00bb Art Portal: UBICARTE.COM September 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>MUNERA, Javier:<\/b><span style=\"font-weight: 400;\">  &#8220;Arco and ArtMadrid 2009&#8221;.   <\/span><\/li>\n<li aria-level=\"1\"><strong>OTERO, Fatima.<\/strong>  &#8220;Jos\u00e9 Luis Serzo and his original Archim\u00e9trica La Fabulosa&#8221;. The Galician Mail. 4 April.2021<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>OLMEDO, Rachel:  <\/b><span style=\"font-weight: 400;\">\u00abThe catwalk-Jos\u00e9 Luis Serzo, \u00bb THE WORLD, Malaga. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ORDOEZ, Antonio:  <\/b><span style=\"font-weight: 400;\">&#8220;Serzo claims humanism as resistance personally and artisticly&#8221; ideal. 24-10-19<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ORTIZ, Kar\u00edn:<\/b><span style=\"font-weight: 400;\">  &#8220;I am proposing instead of criticizing&#8221;- THE TRIBUNA de Albacete. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>OTERO, Fatima:<\/b><span style=\"font-weight: 400;\">  &#8220;Jos\u00e9 Luis Serzo and his original Archametric the Fabulous&#8221;. The Galician Mail. 4, April. 2021<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PANERA, Javier:<\/b><span style=\"font-weight: 400;\">  &#8220;The Dream of the King (of the Republic)&#8221;. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PASCUAL CASTILLO, Omar:<\/b><span style=\"font-weight: 400;\">  &#8220;Prologue for a welcome (or some verbal skirmishes about Jos\u00e9 Luis Serzo)&#8221;.  JOS\u00c9 LUIS SERZO.  2010<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PAREDES, Thomas:  <\/b><span style=\"font-weight: 400;\">\u00bb I Ming dreams&#8221;.   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PARR, Jos\u00e9 Mar\u00eda:<\/b><span style=\"font-weight: 400;\">  &#8220;THE STARTED: The Symbols of an Airtight Worker.&#8221;, Barjola Museum.  2018.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PEREZ, Alejandro:  <\/b><span style=\"font-weight: 400;\">&#8220;Paliqueentrevista&#8221;.   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PETRE, Lorraine:<\/b><span style=\"font-weight: 400;\">  &#8220;Reality Resolved in the Enigma of Sleep&#8221;. LAMONO Magazine az-97 The Faller. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>P\u00cd, Manuel:<\/b> <span style=\"font-weight: 400;\"> &#8220;Anecdotario&#8221; Provincial Newspaper LA TRIBUNA DE ALBACETE August 2001<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>PRINS, Arturo: <\/b> <span style=\"font-weight: 400;\">&#8220;In Search of the Last Show&#8221; Text presentation of the exhibition &#8220;Post-Show&#8221; at Galer\u00eda Blanca Soto, Madrid, September 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>QUIJANO, Carmen:  <\/b><span style=\"font-weight: 400;\">&#8220;Teatrorum&#8221;.   2017<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>REPLINGER, Mercedes:  <\/b><span style=\"font-weight: 400;\">&#8220;Interrogating the painting. Presence of painting in contemporary art\u00bb ARCO- contemporary art.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RIVERA, V\u00edctor:<\/b><span style=\"font-weight: 400;\">&#8220;Jose Luis Serzo makes his debut in Asturias with his &#8220;Morphology of Encounter&#8221; &#8221; LA NUEVA ESPA\u00d1A, 10 MARCH 2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RODES, Andrea:<\/b><span style=\"font-weight: 400;\">  &#8220;Flying is a matter of equipment&#8221; ART.ES. <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RODRIGUEZ, Andrew:<\/b><span style=\"font-weight: 400;\">  &#8220;The artist and the model&#8221;.   <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RODRIGUEZ, Gabriel:  <\/b><span style=\"font-weight: 400;\">&#8220;Living in a Dream&#8221; ABCD arts and lyrics.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RODRIGUEZ, Gabriel:<\/b><span style=\"font-weight: 400;\">  &#8220;One of pirates&#8221;.  14-5-2011<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUBIO NOMBLOT, Javier: <\/b> <span style=\"font-weight: 400;\">&#8220;Art as Tremulous Light&#8221; ABC National Newspaper, White and BLACK Cultural Supplement July 2004<\/span><\/li>\n<li aria-level=\"1\"><strong>RUBIO NOMBLOT, Javier:<\/strong> &#8220;Ode to the artifice of Jos\u00e9 Luis Serzo&#8221;.  April 2, 2022<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>R.R.:  <\/b><span style=\"font-weight: 400;\">&#8220;AGENDA. EXPOSURE The Lords of the Forest&#8221;.    <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUBIO NOMBLOT, Javier:<\/b> <span style=\"font-weight: 400;\"> \u00bb The Wings of Art\u00bb Art Portal UBICARTE.COM April 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUBIO NOMBLOT, Javier:<\/b> <span style=\"font-weight: 400;\"> &#8220;The Transit to the Abyss&#8221; Catalogue by Jos\u00e9 Luis Serzo &#8220;POST SHOW&#8221; MUSEO DE ADRA, Almer\u00eda, 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUBIO NOMBLOT, Javier:<\/b> <span style=\"font-weight: 400;\"> &#8220;The Next Show&#8221; National Art Newspaper THE POINT OF THE ARTS September 2003<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUEDA, Juan Francisco<\/b><span style=\"font-weight: 400;\">: &#8220;Narration and Performance. Newspaper the SOUTH.  24,3,2013<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>RUEZ DE SAMANIEGO, Alberto:<\/b><span style=\"font-weight: 400;\">  &#8220;Jos\u00e9 Luis Serzo&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>S\u00c1ENZ OLLER, Fernando:  <\/b><span style=\"font-weight: 400;\">&#8220;Talented people&#8221;.  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>SAMANIEGO, Jos\u00e9 A.:<\/b><span style=\"font-weight: 400;\">&#8220;Serzo: an artist who tells stories&#8221; LA NUEVA ESPA\u00d1A, 10 April 2018<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>SANCHEZ, Mercedes:<\/b> <span style=\"font-weight: 400;\"> &#8220;Please answer: Jos\u00e9 Luis SERZO&#8221; Provincial Newspaper THE TRUTH OF ALBACETE August 2004<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>TOR\u00cdO, Marcos: <\/b><span style=\"font-weight: 400;\">&#8220;Jos\u00e9 Lu\u00eds Serzo blows up the comet man in the Ferran Cano&#8221; Newspaper El MUNDO, The Day of the Balearic Islands. 21 abril 2006<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>TORRES, Paloma: <\/b> <span style=\"font-weight: 400;\">&#8220;Three storms and several Grecos&#8221;, ABC Cultural, no. 1159 of November 1, 2014.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>TOSTE, Santiago:<\/b><span style=\"font-weight: 400;\"> &#8220;How Michael Burton Jr. wanted to change his life.&#8221; Journal of Notices. 22-3-2021 https:\/\/diariodeavisos<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>ULPIANO, Rosa<\/b><span style=\"font-weight: 400;\">: &#8220;Jos\u00e9 Luis Serzo. In the Garlic.&#8221; LEVANTE Newspaper. June 27, 2014  <\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>VILA, Fatima:  <\/b><span style=\"font-weight: 400;\">&#8220;We should lose the fear of flying with our minds, to imagine a better world&#8221; Interview.   <\/span><\/li>\n<li><b>VON TOUCEDA, Mary:<\/b><span style=\"font-weight: 400;\">  &#8220;Serzo or how the goal is the way.&#8221;, in the catalog &#8220;Morphology of the encounter.&#8221; Editado por Noca Paper y Dardo. UNED.  2019<\/span><\/li>\n<\/ul>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9df6f54 animation_type_block sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"9df6f54\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>BIOGRAF\u00cdA CURR\u00cdCULUM BIBLIOGRAF\u00cdA CAT\u00c1LOGO MONOGR\u00c1FICO PRENSA TEXTO Y OTROS Bibliography BIBLIOGRAPHY DOWNLOAD BIBLIOGRAPHY AGUILAR, Andrea: Young and creative blood floods the Slaughterhouse. THE COUNTRY. Madri.pag.35. Sunday 8 July 2007 AGUIRRE, Jos\u00e9 Ignacio: &#8220;When the commissioner is the star.&#8221; AMER, Biel: &#8220;The Total Artist&#8221; BELLVER cultural&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-14713","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/pages\/14713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/comments?post=14713"}],"version-history":[{"count":23,"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/pages\/14713\/revisions"}],"predecessor-version":[{"id":18448,"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/pages\/14713\/revisions\/18448"}],"wp:attachment":[{"href":"https:\/\/www.joseluisserzo.com\/en\/wp-json\/wp\/v2\/media?parent=14713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}